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YouTube将为创作者提供分成,挑战TikTok短视频霸主地位

YouTube将为创作者提供分成,挑战TikTok短视频霸主地位

Alexandra Sternlicht 2022-09-28
YouTube还没有透露它计划如何在短视频中嵌入广告。

顶级创作者亚当·瓦希德在TikTok平台上的粉丝最多(达1,500万),但他很高兴能够从YouTube短片中获利。图片来源:GREG DOHERTY/GETTY IMAGES

亚当·瓦希德在TikTok平台上有1,500万粉丝,有60亿YouTube点击量。他正从洛杉矶的家开车前往棕榈泉,出席仅限受邀者才能够参加的“YouTube创作”(Made on YouTube)峰会。然而,瓦希德在TikTok上创作的内容比在其他任何平台创作的内容都多。通过在TikTok上发布制作精良的搞笑短视频,瓦希德在该平台上获得了3.52亿点赞,去年赚了730万美元,这些收入主要来自代言合同。

但瓦希德表示,在上周YouTube宣布将开始把广告整合到YouTube Shorts中,并为创作者提供45%的收入分成之后,他已经准备好将自己的内容战略重心转向YouTube Shorts——YouTube上TikTok短视频的竞争者。瓦希德告诉《财富》杂志:“这将改变游戏规则。”

YouTube希望瓦赫德——以及其他博主——可以带头涌向Shorts平台,帮助其在一场代价越来越高的影响力和网红争夺战中赶上TikTok。尽管瓦希德对YouTube的新项目充满热情,但其收入分成计划是否会真正改变爆火短视频的力量平衡,从而向YouTube倾斜还有待观察。

许多创作者都将生计押在视频爆火上,因此,针对不同平台进行优化绝非易事。虽然专业创作者倾向于在每个平台发布不同版本的内容相同的视频,以最大限度地提高受众参与度和报酬,但决定最先在哪个平台发布视频非常重要,这可能会影响代言协议、点击量和好评度。

《财富》杂志采访的几位主要创作者称,YouTube的收入分成是一个可喜的进展,但他们不会立即把所有内容都转向YouTube。关于创作者需要做些什么才能够让自己的视频有资格获得YouTube Shorts的分成仍然存在许多问题:创作者能否从最先发布到TikTok上的内容中获利?创作者可以从短片广告中赚多少钱?如果YouTube Shorts上的广告是不能够跳过的,那为什么观众就可以在TikTok上滑走广告的情况下观看YouTube Shorts上的内容呢?

薇薇安·涂(YourRichBFF,你最要好的有钱朋友)说:“我怀疑分成到底有多少。”她的个人理财短视频在TikTok上吸引了200万粉丝,在YouTube上只有5.5万订阅者。“我确实认为,如果(YouTube Shorts)变得更有利可图,你看到你的朋友或其他创作者取得成功并获得收入,那就绝对是值得考虑的事情。”

YouTube的举动说明了YouTube、Snap和Meta等社交媒体公司所面临的风险,这些公司的广告业务都建立在吸引大量观众到其平台的基础上。网红可靠的吸引力可见一斑,而短视频——大多在60秒以内——是目前的爆款之一。

当然,TikTok在短视频领域占据主导地位。但这个中国的字节跳动公司旗下、运营了五年的平台,并没有向那些爆火视频博主提供任何有效的经济补偿,而且这些视频的点击量往往高达数千万甚至数亿。涂指出,她的收入中只有不到1%来自TikTok的创作者基金(Creator Fund),这是该公司为每月点击量超过10万次的博主提供的收入,但该公司并未对该收入做出明确规定。TikTok没有向创作者支付报酬,这为市值1.3万亿美元的Alphabet集团旗下的YouTube创造了机会。YouTube能够调整资产负债表,并试图将TikTok创作者纳入麾下。

对于制作较长视频(例如化妆教程和自制装饰)的创作者来说,YouTube平台长期以来一直非常重要,这要归功于其AdSense收入分成模式,该模式为YouTube合作伙伴(拥有1,000名订阅者和4,000小时观看时长的博主)提供55%的广告收入,包括在长视频内容里投放的插播广告、内置广告和缓冲广告收入。由于AdSense收入分成模式,野兽先生(MrBeast)、瑞特和林克(Rhett & Link)和基萌(Markiplier)等顶级YouTube博主的年收入都超过了3,000万美元,巩固了他们作为地球上收入最高的创作者的地位。

据该公司称,YouTube Shorts是2021年推出的与TikTok竞争的短视频剪辑平台,目前该平台的日点击量达到300亿次。

在9月20日的“YouTube创作”活动中,首席产品官尼尔·莫汉强调了短视频内容的重要性,他宣布就“任何规模性平台而言”,YouTube首次为短视频博主提供“真正的收入分成”。

视频创作者的新收入来源

特雷尔·约瑟夫和贾瑞斯·约瑟夫二人是内容创作者,他们说,作为同性家长,他们通过在TikTok、Instagram和YouTube上发布关于家庭生活的视频,每年从数百万粉丝那里赚取七位数的收入,如今,他们正优先考虑在YouTube发布内容。

贾瑞斯说:“只要你有一个可以获得更多收益的平台,你就会转向这个平台。YouTube非常睿智,一直保持着竞争力。任何想要全职从事这项工作或以此谋生的人都会更倾向于使用这个他们知道自己能够赚钱的平台。”

此举意味着,无论是瓦希德这样的大创作者,还是你的化妆师朋友这样社交影响力迅速增长的小创作者,都可以从上传短视频到Shorts中获利。即便如此,这些创作者不应该期望自己能够像野兽先生那样获得丰厚报酬。与300万创作者合作的网红经纪公司Influential的首席执行官瑞安·德特尔特表示:“我们可以将其视为零工经济的延伸。一些[YouTube Shorts创作者]将变得非常富有;大多数人将得到足够的补偿。”

YouTube还没有透露它计划如何在短视频中嵌入广告。像涂和约瑟夫二人这样的顶级创作者怀疑,YouTube短片的广告收入能否有效补充他们的收入,因为他们从品牌推广中赚取了巨额收益。这些创作者期望从缓冲广告或5秒广告中获得较低的千人成本(CPMs),而不是从YouTube长视频中投放的30秒广告中获得丰厚回报。

到目前为止,没有迹象表明YouTube打算与Shorts创作者签订独家合同。但是,如果YouTube希望创作者将Shorts视为他们的“首发”平台,倾注全力创作专为Shorts制作的视频,然后再把这些视频转发到其他平台,涂说YouTube需要用有效报酬来向博主证实转换平台是合理的。

不过,她说:“对创作者而言,置身于这样一个领域确实令人兴奋,他们不仅能够通过所做的所有事情来获得报酬(包括超出内容创作者范围的事情)——比如进行品牌推广、推出播客、书籍、课程或其他内容——还可以直接从受益最大的平台获得报酬。”

当记者们关注YouTube和TikTok之间的竞争时,创作者们主要关心的是如何获得报酬。如果他们能够在YouTube Shorts上发掘出新的收入来源,那就太好了。如果作为回应,TikTok推出自己的广告收入分成计划,那就更好了。因为创作者的成功是由算法驱动的,他们会继续在所有社交平台上发视频,努力在最大限度上延长职业寿命和增加收入。

别的不说,YouTube的新分成计划可能会给普通社交媒体用户一个尝试创作短视频来获取收入的理由。“作为一位短视频创作者,想要获得可观的收入是非常困难的。这个竞争环境非常公平。”瓦希德说。“现在,任何人都有机会跳槽和辞职。”(财富中文网)

译者:中慧言-王芳

亚当·瓦希德在TikTok平台上有1,500万粉丝,有60亿YouTube点击量。他正从洛杉矶的家开车前往棕榈泉,出席仅限受邀者才能够参加的“YouTube创作”(Made on YouTube)峰会。然而,瓦希德在TikTok上创作的内容比在其他任何平台创作的内容都多。通过在TikTok上发布制作精良的搞笑短视频,瓦希德在该平台上获得了3.52亿点赞,去年赚了730万美元,这些收入主要来自代言合同。

但瓦希德表示,在上周YouTube宣布将开始把广告整合到YouTube Shorts中,并为创作者提供45%的收入分成之后,他已经准备好将自己的内容战略重心转向YouTube Shorts——YouTube上TikTok短视频的竞争者。瓦希德告诉《财富》杂志:“这将改变游戏规则。”

YouTube希望瓦赫德——以及其他博主——可以带头涌向Shorts平台,帮助其在一场代价越来越高的影响力和网红争夺战中赶上TikTok。尽管瓦希德对YouTube的新项目充满热情,但其收入分成计划是否会真正改变爆火短视频的力量平衡,从而向YouTube倾斜还有待观察。

许多创作者都将生计押在视频爆火上,因此,针对不同平台进行优化绝非易事。虽然专业创作者倾向于在每个平台发布不同版本的内容相同的视频,以最大限度地提高受众参与度和报酬,但决定最先在哪个平台发布视频非常重要,这可能会影响代言协议、点击量和好评度。

《财富》杂志采访的几位主要创作者称,YouTube的收入分成是一个可喜的进展,但他们不会立即把所有内容都转向YouTube。关于创作者需要做些什么才能够让自己的视频有资格获得YouTube Shorts的分成仍然存在许多问题:创作者能否从最先发布到TikTok上的内容中获利?创作者可以从短片广告中赚多少钱?如果YouTube Shorts上的广告是不能够跳过的,那为什么观众就可以在TikTok上滑走广告的情况下观看YouTube Shorts上的内容呢?

薇薇安·涂(YourRichBFF,你最要好的有钱朋友)说:“我怀疑分成到底有多少。”她的个人理财短视频在TikTok上吸引了200万粉丝,在YouTube上只有5.5万订阅者。“我确实认为,如果(YouTube Shorts)变得更有利可图,你看到你的朋友或其他创作者取得成功并获得收入,那就绝对是值得考虑的事情。”

YouTube的举动说明了YouTube、Snap和Meta等社交媒体公司所面临的风险,这些公司的广告业务都建立在吸引大量观众到其平台的基础上。网红可靠的吸引力可见一斑,而短视频——大多在60秒以内——是目前的爆款之一。

当然,TikTok在短视频领域占据主导地位。但这个中国的字节跳动公司旗下、运营了五年的平台,并没有向那些爆火视频博主提供任何有效的经济补偿,而且这些视频的点击量往往高达数千万甚至数亿。涂指出,她的收入中只有不到1%来自TikTok的创作者基金(Creator Fund),这是该公司为每月点击量超过10万次的博主提供的收入,但该公司并未对该收入做出明确规定。TikTok没有向创作者支付报酬,这为市值1.3万亿美元的Alphabet集团旗下的YouTube创造了机会。YouTube能够调整资产负债表,并试图将TikTok创作者纳入麾下。

对于制作较长视频(例如化妆教程和自制装饰)的创作者来说,YouTube平台长期以来一直非常重要,这要归功于其AdSense收入分成模式,该模式为YouTube合作伙伴(拥有1,000名订阅者和4,000小时观看时长的博主)提供55%的广告收入,包括在长视频内容里投放的插播广告、内置广告和缓冲广告收入。由于AdSense收入分成模式,野兽先生(MrBeast)、瑞特和林克(Rhett & Link)和基萌(Markiplier)等顶级YouTube博主的年收入都超过了3,000万美元,巩固了他们作为地球上收入最高的创作者的地位。

据该公司称,YouTube Shorts是2021年推出的与TikTok竞争的短视频剪辑平台,目前该平台的日点击量达到300亿次。

在9月20日的“YouTube创作”活动中,首席产品官尼尔·莫汉强调了短视频内容的重要性,他宣布就“任何规模性平台而言”,YouTube首次为短视频博主提供“真正的收入分成”。

视频创作者的新收入来源

特雷尔·约瑟夫和贾瑞斯·约瑟夫二人是内容创作者,他们说,作为同性家长,他们通过在TikTok、Instagram和YouTube上发布关于家庭生活的视频,每年从数百万粉丝那里赚取七位数的收入,如今,他们正优先考虑在YouTube发布内容。

贾瑞斯说:“只要你有一个可以获得更多收益的平台,你就会转向这个平台。YouTube非常睿智,一直保持着竞争力。任何想要全职从事这项工作或以此谋生的人都会更倾向于使用这个他们知道自己能够赚钱的平台。”

此举意味着,无论是瓦希德这样的大创作者,还是你的化妆师朋友这样社交影响力迅速增长的小创作者,都可以从上传短视频到Shorts中获利。即便如此,这些创作者不应该期望自己能够像野兽先生那样获得丰厚报酬。与300万创作者合作的网红经纪公司Influential的首席执行官瑞安·德特尔特表示:“我们可以将其视为零工经济的延伸。一些[YouTube Shorts创作者]将变得非常富有;大多数人将得到足够的补偿。”

YouTube还没有透露它计划如何在短视频中嵌入广告。像涂和约瑟夫二人这样的顶级创作者怀疑,YouTube短片的广告收入能否有效补充他们的收入,因为他们从品牌推广中赚取了巨额收益。这些创作者期望从缓冲广告或5秒广告中获得较低的千人成本(CPMs),而不是从YouTube长视频中投放的30秒广告中获得丰厚回报。

到目前为止,没有迹象表明YouTube打算与Shorts创作者签订独家合同。但是,如果YouTube希望创作者将Shorts视为他们的“首发”平台,倾注全力创作专为Shorts制作的视频,然后再把这些视频转发到其他平台,涂说YouTube需要用有效报酬来向博主证实转换平台是合理的。

不过,她说:“对创作者而言,置身于这样一个领域确实令人兴奋,他们不仅能够通过所做的所有事情来获得报酬(包括超出内容创作者范围的事情)——比如进行品牌推广、推出播客、书籍、课程或其他内容——还可以直接从受益最大的平台获得报酬。”

当记者们关注YouTube和TikTok之间的竞争时,创作者们主要关心的是如何获得报酬。如果他们能够在YouTube Shorts上发掘出新的收入来源,那就太好了。如果作为回应,TikTok推出自己的广告收入分成计划,那就更好了。因为创作者的成功是由算法驱动的,他们会继续在所有社交平台上发视频,努力在最大限度上延长职业寿命和增加收入。

别的不说,YouTube的新分成计划可能会给普通社交媒体用户一个尝试创作短视频来获取收入的理由。“作为一位短视频创作者,想要获得可观的收入是非常困难的。这个竞争环境非常公平。”瓦希德说。“现在,任何人都有机会跳槽和辞职。”(财富中文网)

译者:中慧言-王芳

Adam Waheed, who has 15 million TikTok followers and has garnered 6 billion views on YouTube, is driving from his Los Angeles home to Palm Springs for the invite-only “Made on YouTube” summit. Waheed, however, was made on TikTok more than he was on any of the other platforms he uses. By posting highly produced short-form slapstick comedy sketches to TikTok, Waheed attracted 352 million likes on the platform and earned $7.3 million last year, largely from endorsement deals.

But Waheed says he’s ready to make YouTube Shorts—YouTube’s TikTok competitor—a much bigger part of his content strategy, followed last week’s announcement that YouTube would start integrating ads into Shorts and share 45% of the revenue with creators. “It’s a game changer,” Waheed told Fortune.

YouTube hopes that Waheed—and others of his ilk—will be at the front of a stampede to its Shorts platform, helping it to catch up with TikTok in an increasingly pricey battle for influence and influencers. While Waheed is enthusiastic about the new YouTube program, it remains to be seen whether the revenue sharing program will actually shift the balance of power for short, viral video clips in YouTube’s favor.

Many creators are betting their livelihoods on virality, and optimization for different platforms is no small matter. While professional creators tend to post versions of the same content to every platform to maximize engagement and pay, simply choosing which platform to post a video on first is an important decision that can affect endorsement deals, viewer volume and critical reception.

Several major creators Fortune spoke to said that YouTube’s payouts were a welcome development, but showed little immediate inclination to go all-in on YouTube. There are still many questions about what a creator needs to do for their videos to qualify for YouTube Shorts’ payouts: Can creators earn on content initially posted to TikTok? How much can creators make on short-form ads? If the ads on Shorts are unskippable, why would viewers watch content on the platform when they can swipe by ads on TikTok?

“I’m questioning how good that payout can truly be,” says Vivian Tu (YourRichBFF), whose short-form personal finance videos have garnered her 2 million TikTok followers and just 55,000 YouTube subscribers. “I do think that if [YouTube Shorts] becomes a more lucrative thing, and you see your friends or other creators having success and making money, it’s definitely something to consider.”

YouTube’s move speaks to the stakes for social media companies like YouTube, Snap and Meta, whose advertising businesses are founded on attracting large audiences to their platforms. Internet influencers are a reliable draw, and short video clips—mostly under 60 seconds—are one of the hottest commodities right now.

TikTok, of course, dominates the short video category. But the five-year-old platform, owned by China’s ByteDance, doesn’t provide any meaningful financial compensation to the people whose clips go viral, and often rack up tens, or hundreds, of millions of views. Tu notes that less than 1% of her earnings come from TikTok’s Creator Fund, the company’s ill-defined income stream for users who attract over 100,000 views in a month. Lack of payments to creators has left an opening for YouTube, which is owned by the $1.3 trillion Alphabet conglomerate, to flex its balance sheet and try to pull TikTok’s creators into its orbit.

For creators who produce lengthier videos, like makeup application tutorials and decor DIYs, YouTube has long been an important platform thanks to its AdSense revenue sharing model, which gives YouTube Partners (users with 1,000 subscribers and 4,000 watch hours) 55% of revenue from pre-, mid-roll and bumper ads on their long-form video content. Because of AdSense, top YouTubers like MrBeast, Rhett & Link and Markiplier are all making upwards of $30 million a year, cementing them as the highest-paid creators on the planet.

YouTube Shorts, the short video clip platform launched in 2021 to compete with TikTok, now gets 30 billion daily views, according to the company.

At the Made for YouTube event on September 20, Chief Product Officer Neal Mohan stressed the importance of bite-sized video content as he announced what he described as the first “real revenue sharing” ever offered for short form video “on any platform at scale.”

A new source of revenue for video creators

For married content creator couple Terrell and Jarius Joseph—who say they make seven-figures annually from their millions of followers by posting to TikTok, Instagram and YouTube about family life as gay parents—are now thinking YouTube-first.

“Whenever you have a platform offering more, you’re going to lean into that platform,” says Jarius. “YouTube was very smart and is staying competitive. Anyone looking to do this full-time or make a living will lean more into that platform where they know they can make money.”

The move means that creators as big as Waheed and as small as your makeup artist friend with a burgeoning social presence stand to profit from uploading short-form video to Shorts. That said, these creators should not expect to make MrBeast money instantly. “Think of this as an extension of the gig economy,” says Ryan Detert, CEO of influencer agency Influential that works with 3 million creators. “Some [YouTube Shorts creators] will become very wealthy; most will become adequately compensated.”

YouTube has not revealed how exactly it plans to embed ads in its short-form videos. Top creators like Tu and the Josephs are skeptical that the ad revenue from YouTube shorts will meaningfully complement their earnings as they make enormous sums from brand deals. These creators expect low CPMs from bumper modules or five-second ads, rather than fat checks from the 30-second ads YouTube runs on long-form.

So far, there’s no indication that YouTube intends to sign Shorts creators to exclusive contracts. But if YouTube wants creators to think of Shorts as their “first” platform, devoting their efforts to creating videos that are intended for Shorts and then reposting the clips to other platforms, Tu says they’ll need to justify the shift with meaningful payouts.

Still, she said, “it’s really exciting for creators to be in a space where they can not only get paid through all the things they do outside of just being content creators–such as taking brand deals, launching podcasts, books, courses or whatever—but also getting paid directly from the platforms that are benefiting the most.”

While journalists focus on the rivalry between YouTube and TikTok, creators are primarily concerned about getting paid. If they can tap a new source of revenue on YouTube Shorts, great. If TikTok responds by introducing its own ad revenue sharing scheme, even better. Because creators’ success is driven by algorithms, they will continue to post to all social platforms in effort to maximize career longevity and earnings.

If nothing else, YouTube’s new payment program may give average social media users a reason to try their hand at creating money-making short videos. “It’s been very difficult to be a short-form creator and make a sizable income. This is leveling the playing field,” says Waheed. “Now, anybody has the opportunity to just jump and quit their jobs.”

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